Immigration of Ceramics
Midnight Husky with Gold Rocks
〈Midnight Husky with Gold Roc〉, 2021.
low-fire earthenware and glaze, gold luster, 31.75×40.5×40.5cm
Linda Nguyen Lopez has been constantly interested in personifying surrounding things and giving them new characteristics. This is mainly due to her childhood growing up under a Vietnamese mother and a Mexican father. Reflecting on her childhood memories of struggling to communicate in English, the artist brought the motif of her work from the moments of interacting with her mother using tiny objects. Lopez’s behavior causes people to take a second look at small things near her, like dust stuck to a mop.
Midnight Husky with Gold Rocks
〈Midnight Husky with Gold Roc〉, 2021.
Better Place (Stool)
〈Better Place (Stool)〉, 2024.
Spring Skies Ombre Dust Furry (Gwangju)
〈Spring Skies Ombre Dust Furry (Gwangju)〉, 2024.
L(ava) + S(and) Dust Furry,
〈L(ava) + S(and) Dust Furry〉, 2024.
Unbounded Arc, Munhwajeondang-ro
〈Unbounded Arc, Munhwajeondang-ro〉, 2024.
Self-portrait
〈Self-portrait〉, 2023.
Inner Han
〈Inner Han〉, 2023.
Purge
〈Purge〉, 2023.
Water Poppy
〈Water Poppy〉, 2022.
Jade Garden
〈Jade Garden〉, 2024.
Liminality
〈Liminality〉, 2023.
Cycle of a Moon Jar
〈Cycle of a Moon Jar〉, 2024.
Jeong (情) Garden
〈Jeong (情) Garden〉, 2024.
Still Waters
〈Still Waters〉, 2023.
Goldfish Ponds
〈Goldfish Ponds〉, 2023.
In Like A Rabbit
〈In Like A Rabbit〉, 2023.
Out Like A Tiger
〈Out Like A Tiger〉, 2023.
Jar with Tranzor Z and Aphrodite A
〈Maebyeong Vase with Eagles and Clouds〉, 2024.
Jar with Tranzor Z and Aphrodite A
〈Jar with Tranzor Z and Aphrodite A〉, 2024.
Maebyeong Vase with Peonies
〈Maebyeong Vase with Peonies〉, 2024.
Jar with Dragon and Clouds
〈Jar with Dragon and Clouds〉, 2024.
Imperfect Pride
〈Imperfect Pride〉, 2024.
Last Night in Gwangju, 2024
〈Last Night in Gwangju〉, 2024.