〈End Island (Ver.2)〉, 2022.

digital 3D animation, projection mapping, color, sound, dimensions variable, 8 min. 41 sec. Commissioned by Asia Culture Center. Courtesy of the artist. Produced by: Jung Haejung. Sound: Cho Eunhee. Bluebuck animation: Ahn
Jihyuk. Title design: Park Dohwan.

Sungsil Hwarang

〈Endangered Animals Graphic Archives: The Intro,〉, 2022.

〈Endangered Animals Graphic Archives: Fennec Fox, Eurasian Eagle Owl, Gaur, Tonkin Snub, and Sea Otter〉, 2022.

Yanobe Kenji

〈Ship’s Cat (Voyage)〉, 2022.

Lee Jo-heum

〈Long Shape Earth, Pictogram Jungle〉, 2022.

Jung Haejung

〈End Island (Ver.2)〉, 2022.

Digital Serotonin

〈New World? II〉, 2022.

Um Along

〈Sign of Movement〉, 2022.

AABB

〈Babel×Babel II〉, 2022.

Lee Byungchan

〈Creature〉, 2022.

Jang Jongwan

〈He Left on the Very Day I Came Back〉, 2022.

Jung Haejung

〈Half of Half of Half of the World〉, 2018.

Charles Lim Yi Yong

〈Sandwich〉, 2015.

〈A Lonely Concert for What Was There〉, 2012.

Choi Ji-ii

〈Groundhog Day: A Week of Punxsutawney Phil〉, 2022.

〈The Martyrdom of Men: With the Series of Newly Made Big Head Sculptures〉, 2022.

Kim Ayoung

〈Surisol Underwater Lab Guided Tour〉, 2022.

Kim Uljiro

〈The Trace of Ferns〉, 2022.

〈A Three-dimensional Preparat〉, 2022.

Digital Serotonin

〈Everything is Connected〉, 2022.

Lei Lei

〈Punk Look〉, 2022.

〈The Universe Cotton〉, 2009.

Lim Yonghyun

〈Can’t Be a Fossil〉, 2022.

Kayip × Lee Seulbi × Lee Jihyun

〈Carbon Clock @ACC〉, 2022.

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